Frustrating, isn’t it? You are ready to go out, your camera is in your hands, it’s a nice day outside and once you actually go where people are….panic starts settling in. It’s that old fear of street photography.
It’s almost like, as soon as you start putting the camera to your eye, your heart starts beating faster and you start sweating. You can’t think about the picture anymore, it’s gone. You are pretty sure you can get a nice shot if only you could get close enough. But you chose to play it safe and settle for some wide angles where everyone is pretty far away.
That, my friends, is called the fear of street photography. And if you are reading this, I am pretty sure you want to get rid of it, right? The good news is, you not only can, it’s actually probably not the way you think. Oh, and take it from a guy that couldn’t even look his own older brother in the eye.
But before diving into the logistics of fear, let’s get two things straight and out of the way first.
Getting closer means nothing
There’s an unspoken creed amongst street photographers, it’s the notion that that you always need to be close for it to be a good image. While it is probably better to be closer than not, that’s just one thing. A bad image is a bad image, whether it’s close or far away. Just getting close won’t magically make an image good. Look at the image below, I’m not particularly close to the guy in the middle and he’s not even facing me!